Rob-Blog MySpace Rob on YouTube FaceBook
Rob's DrillMaster Shooting Club

answers040910.htm

Rob Leatham 911 home page image



Home All About Rob Calendar DrillMaster Club Gun Vault In Memory Kids That Shoot Links News & Updates On-Line Store Special People Sponsors TGO's Museum Training Web Archives

Back Next
Questions and Answers for week ending:
September 10th, 2004

Submitted By: Steve Leach of Phoenix, Arizona
Category: Match Performance
Question:
I've noticed in many of the Rio Salado USPSA weekend matches that my "points" are much higher than the folks that consistently beat me, indicating that I may be getting "too many" "A" hits versus my time. 

I know that I'm not dwelling on the dot stabilizing and that if the dot is "just anywhere in the 'A' ", I'll break the shot, as it is in the area of acceptability.  In looking at the targets and the points of my superior competitors I've noticed many more "C" hits and more spray/less grouping, suggesting to me that their area of shot placement acceptability must be much more liberal than what I'm using.  I've noticed this both in stages with and without movement.

Will time reductions just come with greater experience (don't sweat it) or should I widen my area of shot placement acceptability in favor of reduced time?  On first blush I don't think the latter is the right answer.

Rob's Answer:  Warning - extremely long answer!

You are fortunate to be "too accurate". Most practical shooters have the opposite problem. What you probably need to know is when to enlarge your "area of acceptability".  To do this you need to know when to go fast at the expense of dropping points and when to be accurate at the expense of time.

First, figure out the "probable stage factor".  Look the stage over and figure how many points you may drop and divide your potential points by the time you would hope to get. For instance, on the "El Presidente" drill, I know to shoot all "A"s is too slow and unrealistic, so, let's say I will drop 5 points out of the 60 possible.

55 points are my scored hits.

I know I "can" shoot it as fast as the high 3-second zone, but also know I will probably have misses, or at the very least be a lot of points down.  A realistic time may be 5.00 seconds. Do the math next.

55 points divided by 5.00 seconds = 11.00.
The probable stage factor is 11.00.

Now divide the stage factor into 1 to get how much time a point is worth. 

1 point divided by 11.00 seconds = .0909,
so each point is worth .09 seconds.

The 5 points I dropped each cost me .09 of a second, so basically, I'm adding .45 to my clock time of 5.00 seconds to equate to a "corrected time" of 5.45 seconds clean.

Let me elaborate.

I can probably run this drill 10 times in a row in a corrected 5.45 seconds.  Realistically, that is the score I will shoot when it matters.  I use this information to determine how I will attack the stage.

Now, can I shoot all "A"s on that stage in 5.45 seconds or faster?  Probably not.  Odds are that I will drop a couple of points, regardless of how sharp I am.  To GUARANTEE I will shoot clean will take much, much longer than that 5.45 probable time.  Maybe as much as 7-9 seconds. Obviously that will be slower than dropping a few points at a faster clock time.

At .09 seconds per point, it's faster to drop points and shoot a quick clock time than to insure I drop no points.  I'm not even going to try to clean it.  I'm going to try to shoot "C"s and better AS FAST AS POSSIBLE.

Let's expand on this a little.

A traditional "El Presidente" does not allow make-up shots, but let's say it did.  If you shot a bad shot that scored a "D" and you immediately knew it, would you pick it up? Those 3 points equate to .27 seconds (3  X  .09 seconds).  Can you make it up in that time? There are many factors to take into account here, but you will probably spend more than the .27 to shoot another round and it must be an "A" hit to be helpful.

Most would wisely not fire that makeup shot.

If you shoot a miss, it costs you 15 points.  It would be beneficial to make up, as you should be able to shoot again within the 1.35 seconds (15 X .09) that the miss represents.

A "C" or "D" is not beneficial to make up with this stage factor, a miss definitely will be.

Where this really gets tricky is when the stage is limited shots and you have a miss.  That miss is a 15.00 point reduction. Shooting an extra shot might get you an "A", but you also incur a 10-point procedural penalty.  You have gained 5 points at the cost of how long it took you to shoot it.  You must now determine how long it will take for that make-up shot.

To keep it easy, let's say the points are still worth .09 seconds and you're shooting major.  That means if you can make up that shot with an "A" in .45 seconds, you are ahead, despite the 10-point penalty.  Say you shoot a "C" on the makeup, you will only benefit if you can do that within the .36 seconds.  If it's a "D", you have to do it within .18 seconds.  So the most you can gain here is .45 minus the time it took you to fire the shot.  If it takes you .25, you're still ahead by .20, which may equate to a point or two. If it takes you .50 seconds, you lost time by shooting it.

Now wasn't that simple? ;-)

The possible gain is very small when compared to the possible cost.

Let's change the stage a bit, placing the targets at 25 yards. At this distance, I almost certainly can't clean it, and will shoot a clock time of approximately 8.00 seconds.  I may realistically drop 8 points. Let's do the math.

52 points divided by 8 = 6.50.

1 point divided by 6.5 = .15 seconds per point dropped.

Since I dropped 8 points, that adds 1.20 seconds to my clock time of 8.00 for a 9.20.  So, now the question is, can I shoot it clean in LESS THAN 9.20 seconds?   If I can, I will score better than the 8.00 flat down 8 points.

This is how I figure out what I want to try to do on a stage.

How about a field course?

You watch a few shooters of your ability level and they're all shooting the field course in about 25 seconds. You look at the targets and try to determine how many points YOU would expect to drop. Say it's a 30-round course equating to 150 available points.  Looking at the shots, you guess that you would drop approximately 10 points.

140 points divided by 25.00 = 5.60
1 point divided by 5.60 = .178 seconds

If you see yourself shoot a "D", that "D" at major is 3 points down and it costs you .51 seconds (3 X .178). There are two ways of looking at this information. First, could you have shot an "A" in .51 seconds?  Most of the time, "yes", but realistically, could that "D" have been a "C" if you had taken 1/10th of a second longer to shoot it?  If so, you would have dropped only 1 point instead of 3. The two points were worth .35 seconds, but took .10 longer shoot, netting you a gain of .25 seconds. Obviously, here, it's worth shooting the "C" if it takes only a little bit longer.  Sometimes the targets don't even have the "A" zone available,  so then you WILL drop points.  This can help you decide whether you accept shooting "C"s or "D"s, because you know how much time it costs you and you know what the gamble is for shooting faster.

Of course, to make use of all this, you must be able to call your shots quickly by the sights or the impact of the bullet.

Use this information to determine how many points you're willing to drop on a stage, which means how carefully you will shoot. Your question is, at what point is it beneficial to drop points for the sake of going faster?   You must go through the process above to determine that.  The answer is, sometimes you go fast and sometimes you don't.  There is no always.

Here's a basic chart to help you with making up "C" hits (basically, I DON'T ever!):
 
Stage Factor Point/Time Value Make up shot?
15 1 point = .06 seconds No
10 1 point = .10 seconds No
5 1 point = .20 seconds No
3 1 point = .33 seconds No

Here's a basic chart to help you with making up "D" hits:

Stage Factor Point/Time Value Make up shot?
15 3 points = .19 seconds No
10 3 points = .30 seconds No
5 3 points = .60 seconds Maybe, if I recognize the shot immediately when fired
3 3 points = .99 seconds Yes, when I know it immediately, even if I have to come back to the target

Recognize that the above charts assume that your make-up shot will be an "A".  As with all things, there are gray areas.   This simply helps you figure out going in whether a stage is point heavy or time heavy.  A time-heavy stage is a high hit-factor stage.  A point-heavy stage is a low hit-factor stage.

You now base how hard to try to get points by your probable ability to get them, versus the time it would take.

Some shooters just shoot as fast as they can, all the time, but it sounds like you are holding back and correcting more precisely and more often than you should.  The time reductions you want will come at the cost of points dropped. That is not a bad thing. Those shooters beating you are using this to their advantage.  A good practical shooter can go fast when needed, and also be accurate when necessary.  Accuracy is your advantage.

The speed you desire will not come from just experience alone. You must in practice "push" to get quicker.  That is what practice is for.  You need to find out how fast you can go using "corrected time" to know how to proceed.

I do this with every drill I shoot that is not fixed time.  You will eventually come to the conclusion that a stage is full of fast shots and faster ones, and you have to shoot each target with what scores best for it.

You'll be able to improve your speed with no problem, Steve.  I've seen you shoot!  Rob

Top of Page

Submitted By: Wes Wiley of Newnan, Georgia
Category: Shooting Mechanics
Question:
I just started shooting competition and I am having trouble finding that just right position for my finger on the trigger.  I shoot a Glock 17, and I consistently shoot in the 8 and 9 o'clock area about 1 to 2 inches off center. I had the sights checked to make sure they were zeroed, and they were, leaving me to conclude that it must be something with my trigger finger. Can you give me some suggestions as to where that perfect position on the pad of your trigger should be?  Many thanks for all of your contributions to the shooting sports.

Rob's Answer:

I prefer to get the pad of my first joint on the face of the trigger, not just the tip of my finger. The heavier a trigger pull is, the further towards your first joint you want to contact the trigger. I try hard to pull the trigger straight back. This is difficult to do if I can barely reach the trigger. Some guns are not a good fit for some people and they must compromise where their finger hits the trigger. If this is the case, there's not much you can do about it, except concentrate on pulling the trigger straight back.

Sounds like you may have a little bit of a push going. This happens from firing the gun suddenly which can push the gun out of alignment as your finger slams the trigger into the frame. This is why you want to pull the trigger straight back. Also, ensure that there is no movement at the wrist while you are firing. Most people blame jerking the trigger for low left shots, when it generally has nothing to do with pulling the trigger. A common mistake is pushing the gun down at the wrist to control recoil while or before the gun goes off.

It's very difficult to analyze this without watching you. This is where a shooting course can be beneficial. Find the best shooter in your area and see if he'll help you out. Make sure this person understands what you're doing and doesn't do it himself, as this is a very common problem.   Rob

Top of Page

Submitted By: Paul Hudson of Newport Beach, California
Category: Shooting Mechanics
Question:
I have just started to attend small 3-gun matches at Raahauge's in California and will try some IDPA/IPSC matches soon. I have wanted to do so for a long time, but without excuse did not until now. I have shot the 1911 in .45 for about 12 years and feel very confident with it. I spoke to Todd Jarrett at the sports fair for about 5 minutes where he told me that most pro shooters slap the trigger and some shooters' fingers come all the way out of the trigger guard. I tried that at a match the following weekend and it really threw me off. I read your rant on trigger control and agree with you, I feel that that is where I come up short, as I tend to push the trigger. What is your advice on proper trigger technique? It could be that my stock triggers (Kimber Classic) and (Les Baer TRS) have creep where your tuned triggers do not?

Should I just keep doing what I was doing before by keeping pressure on the trigger between shots or will it be beneficial for me to change?

Thanks for your time with this issue and for representing shooting sports with integrity and respect.

Rob's Answer:

If you've made a change and the results are worse, then stop doing it.  Those of us that come off the trigger on fast shots do so without trying.  The focus is not to come off the trigger, but to ensure that the trigger has reset.  The only way I can know that has happened is to break contact with the trigger.  This is about trigger reset, not shooting fast, although the two are related.

I doubt your triggers' creep is an issue for fast shooting. The weight of the trigger pull is a much larger factor.  Light, creepy or not, is easier to shoot fast.  Clean and crisp, regardless of weight, is usually easier to shoot accurately. Somewhere in the middle is a compromise most practical shooters end up with. 

Virtually any gun, as it is delivered to you from the factory could benefit from trigger work by a knowledgeable person. The lawyers determine the weights at which the triggers are delivered.  The trigger pull, in most instances, can safely be much better, both lighter and cleaner.  That's what a custom shop can do for you!   Rob

Top of Page

Submitted By: Oliver Soliva of Manila, Philippines
Category: Equipment
Question:
I frequent Brian Enos' forum and one thing that always intrigued me was comments of some other top shooters about the importance of shooting with a dot sight.

They always say it makes calling the shots easier since you have a dot that's easier to see and you do not have to change focus (back to a front post) to be able to know where you'll hit.

Not having the funds yet for a full blown open gun, I'm thinking of putting on a dot sight on my current limited gun. But without any comp or porting nor the experience with an open gun, I'm only guessing the dot may become "uncontrollable."

I'd appreciate your thoughts and suggestions on this matter.

Thanks a lot.

Rob's Answer:

Understand that putting an optical sight on any gun for competition sake puts it in "Open Class".  Taking your limited gun and scoping it has you competing against people with full compensated high-capacity race guns. 

Everybody in Limited is fighting the same problems you are.  An optical sight does aid aiming, in that you don't change your focal distance.  This you are aware of.  However, it doesn't make you hold the gun steady or pull the trigger correctly.

Your limited gun also kicks and flips dramatically more than a proper Open Gun, and a sight won't change that. An optical sight is an aid, but from a competition standpoint, it doesn't make sense to me to scope your limited gun.  The amount the dot flips does not determine whether or not it is controlled.

If you're a competitive shooter, save your money for practice ammo.

If you don't care about competition, scoping any gun will probably help you shoot it better.  It's easier to see the dot and the target at the same focal distance than iron sights and the target (one of which will be fuzzy).

Good Luck!  Rob

Top of Page

Submitted By: Jon Kushner or Radnor, Pennsylvania
Category: Shooting Mechanics
Question:
I am relatively new to IPSC and IDPA.   I shoot on average 3-4 events a month including IPSC, IDPA and Steel (tried Bianchi and Pins also).  Anyway, I know that practice is the reinforcement required, but I don't want to engrain bad habits.  I want to stop now before I engrain any deeper the habits I am developing.  My primary teaching reference to date has been Matt Burkett's DVD Practical Shooting set and a book called Fist Fire which describes a unique technique for holding a gun (I am not currently using their grip - too much to think about when trying to negotiate a stage - I don't practice enough - once a week on average). 

I always put safety first. Experienced shooters say that although my grip is correct that I am not holding on to the gun strongly enough and sometimes milk it (my hands move all over the place).  I also get ahead of myself trying to shoot too fast but have controlled that more recently.  My accuracy is below average but not horrible. I started shooting 45 ACP, moved quickly to .40 (IPSC Limited and Limited 10) and have now purchased a Para LDA DAO 9mm 1911 for the production classes.  My thinking here is that I should shoot the most controllable caliber and develop the proper habits then move back to .40 when ready.   I also have a couple 1911 38 super limited guns.

Anyway, my question is:  Is there 2-3 key thought sequence that I can use that pertains to fundamentals?  For example, Grip-Front Sight-Squeeze, etc. I need some very simple basic repeatable thought sequence that I can think of at the beginning of and during a stage.

Please provide your advice.  Thanks in advance.

Rob's Answer:

This is the process I try to engrain in every student I get:

Sights on the target

Take up the slack in the trigger

Move the trigger until the gun fires

Sounds easier than it is, but until you can do this without thinking, you will always struggle with accuracy. This is the easiest, most rudimentary way to explain, but it takes a lot of rounds to make it happen subconsciously.  Best of luck!  Rob

Top of Page 

Submitted By: Gary of California
Category: Equipment
Question:
I think my hand size is medium to small.  I rented a .45 ACP Glock 21, and I felt more comfortable shooting it than my 9MM 4" barrel HS2000.

Is there a way to know if a handgun fits your hand appropriately other than test firing the handgun?
Rob's Answer:
If you can reach the trigger and still have your other fingers reach around the front strap, and the web between your thumb and trigger finger directly behind the trigger around the frame, you should be good to go. This is more of a personal issue than anything else.  If you're struggling to reach the trigger and can only get the tip of your finger on it, it will become an issue with your shooting.  You need to be able to pull the trigger straight back.  If you're stretching to reach it, this will be difficult.  Rob

Top of Page 

Submitted By: Scott Cordes of Metairie, Louisiana
Category: Match Performance
Question:
In competition at local matches, I have experienced occasions where my concentration was at its zenith and I was able to make blazing runs on steel plates with great ease and relaxation, and vision.  One week later I employ the same mechanics with less desirable results.  I can't seem to summon this focus at will, it just seems to come and go. This goes far beyond the fundamentals and is not something I can all of a sudden "decide" to do.  Have you experienced this and is there any way to control it?
Rob's Answer:
Everyone deals with lapses in concentration. The thing to remember is that what we're trying to do is hard, because we're doing so much in such a short amount of time.  Trying to be relaxed every time you shoot is an impossible dream.   I choose to accept that I won't be relaxed and WILL be tense and learn to deal with that situation.  I know the reason I'm tense is because what I'm trying to do matters to me.  I use that tension as aggression, permitting me to go faster without trying.

Something to understand here is that hitting the targets is the absolute most important thing.  When shooting a course of fire involving a series of steel plates, you are being timed on how fast you hit the targets, not how fast you can shoot at them.    Don't worry about being tense, and recognize that this is a shooting mistake you're making, not a control of nerves issue. The fact that sometimes you hit and other times you don't, simply indicates that you're human and imperfect just like me.  Concentrate on hitting the targets.

It's easy to get caught up in trying to get a low time and lose focus of what you're really trying to do.  You will never shoot the same scores twice.  Don't expect to.  Do expect to hit the targets every time you go to the line and CAUSE THAT TO HAPPEN!  When you concentrate on the task at hand and what you need to do to cause the desired results, you won't have time to focus on whether you're relaxed or not.  It doesn't matter if you are relaxed or tense, only that you don't spend valuable time and energy thinking about it.  Good Luck!  Rob

Top of Page

Back Next


Thanks for visiting my web site.  Now, let's go SHOOT!  Rob Leatham


Our Mission Statement:  At Rob Leatham .com™, we want to help YOU learn to shoot better!

Copyright © 2003 - 2008 Rob Leatham, Leatham Enterprises, LLC and Rob Leatham .com™.  All rights reserved.  Rob Leatham .com™ logo was designed by Kip Leatham and created by Tommy Leatham.  (Great work, Tom!)  Photos by Rob's Dad, Nyle Leatham unless otherwise noted.  Thank you, Tracey Martin, for all of your assistance with Rob's web site AND the DrillMaster Shooting Club™.  Your help will always be greatly appreciated and respected!  Rob Leatham's web site was designed and created with love by Kip Leatham.  Please send questions, problems, suggestions or comments about this site to:  Kip Leatham.
 
Top of Page